Burlesque: The erotic art of keeping clothes on

elsiediamond

 

Burlesque, which is sometimes thought synonymous with stripping, is arguably more about keeping clothes on than taking them off. The costume transforms the act into an opulent spectacle. Dancers are celebrated for having unique and elaborate costumes. They establish the tone and theme of the act, and are essential in defining a dancer’s performance. The costume establishes the identity that the dancer has chosen for a particular act, and the show is choreographed to suit the component parts of a very particular costume. So entwined are the costume and the act, that it would be impossible to perform a burlesque dance in a substitute costume without making modifications to the routine. The costume is so vital that Eliza DeLite recently put her Strip ‘n’ Shimmy act on hold for costume restoration [2]. Every movement is choreographed around a particular garment or accessory. To a great extent, the costume dictates the moves.

In describing her debut, Dita Von Teese contrasts her performance to those of strippers by detailing her costume. She wore “a proper crinoline dress over a tightlaced corset with seamed stockings, garters, and long black opera gloves” and later “left the club a lady – in hat [and] gloves” [3]. In a strip club, the acts are all about flesh: strippers arrive onstage already scantily clad, and their stripping is only a prelude to nudity. The core of the show is performed either mostly or completely nude. In contrast, burlesque dancers sustain the striptease until the very last moment of the show. The nudity is the finale.

The Guardian

 

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